The resulting sculptural forms painted with abstract values suggest a path to truth. Through light and dark you are drawn to the shape of something impalpable. The drawings that started as representational, distilled and reframed through a projector find a response to genuine psychological needs within the details. There is a joy of geometry from the colossal departure from nature. The limited palette hints that Kline may have a lack of knowledge about colour, but there are strong rumours that his commercial galleries only wanted more of the same. The result is a personal account and a romancing of the poetic qualities of the city that challenges the notion of beauty. He envokes the stillness and movement, the noise and silence, the negative and positive, and the absence and presence. By the subtraction and the addition of new forms throughout his painting, he looks at the subtracted nature and essence in the city. Kline’s painting technique was able to capture visual intelligence as his captured forms competed with each other. Related post The inspirational work of Franz Kline With little confabulation about what he was working towards, collectors since his death, have focused on other Abstract Expressionist like, De Kooning, Pollock and Rothko. Unfortunately, the lack of dialogue had an impact on his career. Throughout his career, Kline was reluctant to talk about his art. The images inspired Kline to make an experimental leap into abstraction. When Kline’s representational drawings were projected onto a canvas Kline saw a new way forward. De Kooning introduced Kline to a Bell-Opticon enlarger. At that time Kline was drawing and painting representational images. Using line and form, his mainly black and white paintings, ask ‘Is this really what reality is about?’ Stuart Bush Studio Notes Painting Freedom – Albert Oehlen reviewĮarly in Kline’s career, he visited Willem de Kooning’s studio. It reminded me of the grandeur and the scale of the New York skyline. It evoked the feeling and emotions that l have about the city. I had always been intrigued and impressed by his paintings and when I saw his original work for the first time l was not disappointed. Prior to that, I had only seen Kline’s work in reproductions in books. The first time I saw the inspirational work of Franz Kline was at the Abstract Expressionist exhibition in 2017 at the Royal Academy in London. When looking at a Kline painting you have a unique sense that they go deeper and beyond the surface. Line, colour and form were influenced by melody, harmony and rhythm like in the free jazz compositions of Miles Davis. Abstract painting and Jazz music without words suggests a profound correlation with the way people experience the city. Franz Kline’s art was based on personal vision and inner thoughts, influenced by what he saw around him the streets of New York and Jazz Music.
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